the third release in the tribute series is an absolutely massive dj weapon, which has been blowing away dance floors all around the world since it was first leaked to a small band of dj friends by its top secret editors. cheekily and seamlessly blending the iconic vocal talents of blondies >heart of glass< with la rouxs >bulletproof< the result, >we love debbie<, is an awesome soundclash of irresistible discoid pop music. cut loud on single-sided heavy weight 180g vinyl, the tribute series is set to inflict some serious dancefloor damage

two spacey, synth heavy house tracks from ron trent. the power of sound has found its way to the southport weekender and marquest wyatts deep la. its full of vocoder and sound effects. space ship is a new track full of transcendental percussion and sweeping synth lines.

after a bit of a quiet period, moods & grooves returns with a heavy hitter – gu (aka glenn underground). an icon from the 2nd generation of chicago house music producers, gu by far is the most prolific. back to the basic is a concept through which he returns to the roots of chicago house when producers made the music, not a computer or program.

back together once again, the production powerhouse that is lake & lys return to rising music for another piece of peak time, dancefloor madness. humanica picks up where la tromba left off, a huge track featuring a harmonica played by dirty vegas steve smith, backed up by driving synths, heavy percussive drums and the trademark sawtooth lake bass line. sloane, on the other hand, is a classic old skool groover, chords stabs reminiscent of classic house records push the track, while vintage drum machines are perfectly juxtaposed next to modern pad sounds, all combining to send the dancefloor in to old skool ecstasy.

massive release by matteo milleri with incredible pitto remix. heavy support by: loco dice, karotte, daniel sanchez, laurent garnier, richie hawtin, nick curly, kabale und liebe, boris werner... second release by new bla bla sublabel runned by daniel sanchez

incl. guillaume coutu dumont rmx , heavy hitter ! big support from all the usual suspects

the motor, the city and soul do return to one of the longest running deephouse labels on the planet. with almost 40 releases and still kicking and keeping vinyl alive this release is no exception. matthias vogt & c-rock join forces again and the two present a heavy loaded package of deep house. with sascha dive and jay shepheard we got two men of the moment to remix -cipher- and all four mixes turned out to be just amazing. sascha dives remix is built on driving beats and develops big time floor potential. vogt re-arranged cipher into an epic musical master piece that incorporates his piano skills. stir15 label head c-rock strips the whole thing down to a deep and tripped out dub and jay shepheard follows his last releases and deivers a stellar deep tech-house groover. a box full of house in different blends. after satoshi tomiees -back to basics- this is another amazing release that already made big waves housefloors around

story continues its immaculate run of bottom-heavy deephouse with 4 special treats from this british underground figure that make an earthquake like introduction to the scene with 3 anonymous 12inches only that are already sought after and destined to become collectors items. an acid house veteran that followed the whole uk rave progression to harder techno, he harks back to his early influences with his productions by building his dense, jacking slo-mo house grooves around hip-hop and soul samples. cuts like >the rub< or >dh13< and take their time to slowly sneak-up on you casting a bigger and bigger shadow until you are totally immersed in the smoky, dub-filled atmosphere that has a similar feel to the psychedelic soul of motowns norman whitfild or the rzas mystic hip-hop soundscapes. >whobadu< trades for 4/4 pattern for a looser, handclapping 80s funk groove that should cross-over into the box of every more discerned hip-hop dj, while >olufeme< is a stripped down, fela style afro groover with mighty dubbed-out horn loops. four tracks that will keep all you dancers, booty shakers and headnodders happy for a long time

nice price deal !!! under secret construction in the on u workshop for the last few months, lee perrys interpretation of the black sabbath classic iron man is finally ready, complete with heavy boots of lead. with adrian sherwood at the controls, and additional input from renowned reggae producer dennis bovell, this full on thumping dub stepper finds scratch positioning himself as the iron man - lion man - lightning man - super man who dont drink no booze while sub basses throb and wobble the bolts from his joints and the beats hit harder than a rivet gun... surely not what ted hughes had in mind. the flipside dub mix arrives courtesy of pempi, who recently broke out with a track on studio rockers? at the controls compilation. pempi ups the full of dread quota with a heavy barrage of drums, stuttering synths and swelling bass, to create a version that has the potential to consume every motor vehicle in the southern hemisphere. iron man lives again!

friday night sweat is a jackin house workout, full of swirling synths & cut up samples. ooh yeah ha, is a more driving twisty little number, with retro tinged toplines & a heavy bass!

some still know very little about t&b artist josefine jinder, so let us introduce her to you. in august 2008 we saw the debut ep of little jinder, >polyhedron<, and soon after in october 08 we gave >polyhedron< the remix treatment with loads of t&b producers. in june 09, after countless gigs and production work, jinder returned to the t&b catalog with >youth blood< on their scion comp. the tune was such a hit t&b had no other choice but to give this epic blood sucker disco house anthem the same remixing treatment as >polyhedron<. as usual, t&b remixes are all over the board from a joker-esque dubstep remix by 12th planet & flinch, a monster mash heavy bass electro remix from sharkslayer to a remix by tomas andersson, who graces this 12 inch with a smooth rolling disco remix straight from the dub factory. this is one of many releases to come from jinder, this is her first single in support of her full length record to come out in 2010. definitely an artist to watch.

after several releases on huge labels like kneedeep, schubfaktor, fatal resignation, datablender and more, sam silva strikes back with this heavyweight 5 track ep. pure hard techno tracks with heavy breaks!

vinyl addicts and dj robots perk up your ears! live at robert johnson is proud to announce the vinyl extraction of thomas hammann & gerd jansons >live at robert johnson compilation vol.4<: three heavy (un) classics by dntel (remixed by superpitcher), dj duke and dj du jour. re-mastered and re-cut for maximun pressure pleasure. pure party gold!

the latest ep to come from the detroit grand pubahs label detelefunk is dj and producer k alexi shelby with >i can go<. kaay is one of chicagos true heroes and cited by many as a pioneer of the citys sound. this is his unique smooth blend of techno and house, as kaay calls >tecsoul< (which is also the the name of his own label) that attracted the eye of the pubahs with a track titled >i can go< featuring kaays own vocals, and the heavy female breathing.

kink - bitter sweet
kink has built up quite a reputation recently with some amazing work on rush hour alongside neville watson, and two slamming old-school-vibed remixes on liebe*detail. now we present his debut original track for the label, and >bitter sweet< really shows off his tender, heartfelt approach to house. raw, beautiful, melancholic and spine-tingling, this is modern house with a harmonious nod to the pioneers, connecting with us on deeper levels and remaining within us forever.
tom demac - draw me in
wales tom demac has already proved prolific as a producer constantly putting out genre defying, funky and ingenious hybrid house. also his debut for liebe*detail, >draw me in< takes on a strong and bass-heavy approach, with tight drums and freaky vocal-snippets melting together into a mutant jam of seismic proportions. reduced, casual and yet deadly cool, its a welcome additions to toms excellent production catalogue!

james braun is one of the new exciting producers out of denmark, with his strong productions he have earned great respect amongst djs like jesse rose and claude vonstroke. this is the second release from the danish producer on tartelet. the original is, like usually, a combination between solid house, great producing skills and james’ urge for experimenting with genre and sounds. with detroit-ish string theme and bass driven groove the original is fun, intriguing yet powerful. on the b-side tartelet are proud to present a remix by claude vonstroke, who wanted to do it after heavy support of brauns earlier material. the remix features many of the original elements but in updated and very danceable version. label-man tomas barfod shows us his darker sides on his remix. barfod takes symphonia late-night with string pad, dirty drums, spacy synths and deep-bass.

kicking off at least we can dance is an extended dj friendly version of the original track, featuring production from the dp team of sharp and zed bias. this extended cut is dekata project at their soulful house best, with heavy beats, jazz keys vibes, horns, funk undertones and soaring hook lines. on the remix tip, check out the heavy hitter nu:tone, with his high energy drum and bass take on the original, dripping in heavy basslines, intricate beats and synth builds that make you want to dance the summer away into the early hours. currently causing a stir in all dance music circles as one of the main instigators and contributors to the hype and buzz that is the uk funky scene, roska steps up with his cant stop dancing mix. using broken beats, garage, grime, dance hall and house vibes, roskas unique sound has critics and compilation makers hailing him as the new sound of londons dance scene, having recently featured in the guardian and mixmag.

vizual - the brain and soul child of joshua iz - its even part of the name. after working with many of the most respected labels in underground dance music, including prescription, classic, om, guidance, diy, joshua &#64257,,nally felt it time to create his own imprint, hence vizual. drawing from a myriad of in&#64258,,uences, from heavy jamaican dub to bleepy detroit techno, vizual seeks to develop new musical forms that bridge the gap between pure organic music and abstract electronic sound paintings, yet creating something danceable in the process.

a slammin release from style of eye with remixes by hipp e & troydon. the original is a bass heavy electro groove with tweaked out synths and a male reggae vocal. troydon trips things out even more on his mix, shuffling beats with his new minimal sound, along the lines of his phono shuffle release. hipp e is on fire again! a deep chugger with a big vocal breakdown.

big with: loco dice, seth troxler, ryan crosson, guy gerber, shaun reeves, robert babicz, tom pooks ...
ok now. we got our new storming release on highway ready to rock! body-movin, heavily dub influenced and indemand ep by wols (a new dubby astrobard-hop project by krasnodar based modul guys well known for their level, harthouse, pro-tez and ostwind appearances and distinctive deep electronica sound). this hot piece of wax will surely take you on a fully energized trip. original >bushmans oversized vibe< is a heavy ethnic floor stomper - broken, flowing and absolutely magnetic. filled with headbanging twisted vocal cuts and ancient mojo rhythms it will launch your spirit far beyond the neighbourhood. this is a definetely high quality explosive vibe tribe dub-unit! but even dont try to stop here - continue the ride with great remixes by guti (from desolat stables run by loco dice) and greg parker ...

entropic minus six contains four tracks selected from peter van hoesens forthcoming album. the mission of these four tunes is clearly aimed at the dancefloor. terminal kicks off this ep with an acidic, addictive bassline, supported by a solid kick drum traveling up and down the scales. strip it, boost it throws swinging metallic percussion at the listener, using only a few elements to maximum effect. on the flip side quartz 1 presents the story of a runaway slap bass riff, twisting and turning into a mad machinefunk frenzy. defense against the self opts for a more atmospheric approach, while maintaining the focus on the peters essential bass heavy sound. essential heavy bass, stripped down, machine influenced techno!

limited heavy weight 180g 12 inch. harvey calls it future primitive: made for the dancefloor and the bathroom floor, but to us, its the sound of an artist bringing us the future.. today.. just as hes always done.

more quality house goodness from the guest house crew. this ep features the amenti main man olivier desmet with cohort oriental funk stew for a three track release of typically bummping and jacking grooves. solid dancefloor material here, with took my love working a tight groove over some dubbed out samples and frolicking bassline, with a cool oldschool vocal sample making an appearance here. flip for the bottom heavy pressure and jazzy swing of five plus while in the pocket works some nice key stabs for a deep late night groover. excellent dancefloor material from some of the top names in the underground scene

a salute to the boobs. claudes super low down, >big n round< gets a supremely filthy treatment by some of his favorite producers of the year. the a-side is maetriks smashing >feel dem boobies< mix, a relentless tech funk bomb with a heavy beat rooted deep in the earth. the flip is the amazing holger zilske, delivering a super freaky computer-flavored funk mix.
claude vonstrokes hit album >bird brain< has been remixed by some of the best producers in the world from carl craig to robag whrume. dirtybird has decided to release the majority of remixes on vinyl in a series of very limited pressings throughout the next few months. each record will have 300 copies only.

bigtime buzz on this hot collaboration between veteran vocalist roland clark (urban soul) and san frans franky boissy. theres definitely an its yours feel to this spoken word meets funky house gem, with david harness bottom heavy floor filling mix being the standout cut.

the berlin-based dj and producer eva be is no newcomer to the international dance-music scene. 2 years ago she released her long-player >moving without travelling< on bestseven / sonar kollektiv records creating her very own trademark dub-influenced electronic sound. this ep is the logical continuation of her musical output as she has been djing quite a heavy 4/4 sound in the last years playing alongside best works records djs andre lodemann, roland appel and alex barck of jazzanova in places such as goa/madrid, cookies/berlin, dampfzentrale/bern, etc.
>new crack< combines an electronic dub driven bass sound with classic old-school house influences - dancefloor business. darko essers mix is more intrecate giving the orginal a more dramatic crystalline twist. last but not least andre lodemanns previously unreleased remix of eva bes tune >she walks alone< sees the light.

after their great debut >motzbaz / indeed< on afao recordings and the following 12inches >hello kool nice< and <langenthal ep< on quintessentials recordings, which found its way into the bags and charts of djs like quarion, laurent garnier, jimpster and many more, jagged strikes back with a 12 on bonzzaj recordings. this single also contains a hot remix by the dutch multi-talented man aardvarck, one half of the rednose district. jaggeds productions are restrained and minimal in the right way - they doesnt let things get overloaded. they focuses mainly on straight beats and functional house music but always with the right ingredient of soul and rawness. the title track ten to twelve is a heavy cut with a lot of disco influences, funky basslines, cool house-grooves and surprising changes all over the track. the remix of ten to twelve comes from aardvarck, who releases on rushhour, kindred spirits and delsin. he transformed the original in an broken beat stomper, which sounds like it emerged straight out of londons co-op. the b-side contains chicago, a deep house number with forward going percussions, warm strings, oldscool-house-vocals and a slight acid flavour and last but not least the track an orange drippin, which takes you with its deep synth, percussions, basslines, bells and things in the deeper shades of…jagged nation. hot shit gesundheit

third part of the vinyl 12&#8243,, compilation series of selections from the mathematics label from chicago, israel and italy. includes a bubbly 80s synth-heavy banger by slava, a heavy synth composition by argaman that pays homage to wendy carlos, and a spacy house jazz fusion track by i.f.m.

its been three years since uffie took the underground by storm with her killer electro crunk anthems hot chick, ready to uff and pop the glock. 17 million my space plays later, the 22 year old star of parisian club culture is ready to release her new single mcs can kiss. produced by mr oizo, its an old school soundclash of heavy beats and sharp rhymes, a pass the dutchie for the modern era. remixes come from some new kids on the block, zombie disco squad and starkey. zombie disco squad have delivered the perfect big room remix, while starkey has given it a dirty philly street feel with his dubstep rework.

rising sun is the souljazz orchestras first all acoustic afro jazz album. playing over thirty different instruments, the group creates a rich soundscape of otherwordly jazz, driven by heavy african rhythms and soulful vamps. the esoteric arrangements and fiery improvisations make it one of the souljazz orchestras most unique offerings.

limited release. stefan tretau returns with this mighty fine techno 3 tracker on the new st imprint. two melodic detroit inspired bangers (title track whatever happened and lily), while eqf kid is on the more minimal modern darker house side. heavy modern club tools by tretau!

warning! this material contains explicit experience of heavy industrial sonic pressure by jason little. some listeners may be shocked or it may provoke inappropriate panic confusions after listening whole album. control the little man - is offensive and it s being handled only to highly skilled djs. datablender records advise you to consult with your sound engineer before putting needle on the record.

mike dehnert delivers with this 12 on his own fachwerk label. after the stir of his limited md2 release another piece of black wax with some heavy deep bass driven techno tools. 3 powerfull overwhelming tracks that are still subtile and classy. 3 tracks that slowly push the bounderies of techno rooted in the berlin traditions mixed with some detroit flavor. especially the b track is a true killer with 90s style open off beat 909 hi-hats and great tension. wont be in stock forever... dont sleep!

dubsided continue to release bass heavy electro house, and we welcome the follow up ep to sticky ks previous dubsided release. california ep is a wonky 4 tracker stacked with all the right elements and surprising hooks. check out the mad vocal drops in 4 minutes into california, cheeky and a little barmy.

massive mixes by skream and heavy feet for dj zincs >killa sound<, who totally live up to the track-title!

back together once again, the production powerhouse that is lake & lys return to rising music for another piece of peak time, dancefloor madness. humanica picks up where la tromba left off, a huge track featuring a harmonica played by dirty vegas steve smith, backed up by driving synths, heavy percussive drums and the trademark sawtooth lake bass line. sloane, on the other hand, is a classic old skool groover, chords stabs reminiscent of classic house records push the track, while vintage drum machines are perfectly juxtaposed next to modern pad sounds, all combining to send the dancefloor in to old skool ecstasy.

a new year, a new basics! david moleon on this favourite future techno funk label. he delivers in style as usual with his heavy layered beats, light percussion and funky basslines. this is a 3 track ep that will work the dancefloor in any club! big!

incl. julien chaptal & afrilounge following the success of last years >cantona kung fu<, tsuba label boss steps out front with the energetic bass heavy workout of >oh yeah<. julien chaptal delivers one of his finest mixes to date with jazzy keys and live double bass whilst on the aa side afrilounge threaten to steal the show with a peak time percussive roller. as tsuba founder kevin has steered the label to be one of the most respected and consistent uk imprints (the 2nd most charted uk label on ra following rekids). recent label events include tsuba showcases at fabric in london and watergate in berlin with more events planned throughout 2010. the recent collaboration with okain has become one of the four:twenty labels best sellers and a new project with justin drake is to be released over the coming months.

luis flores enters the world of hidden agenda. once home to just productions from label boss dietrich schoenemann and tony rohr, the label has added the likes of misc, shokh+star, bau and metalogic. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and in put into heavy rotation by the likes of chris liebing and speedy j. already he is gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere.

hailing from sao paulo, wehbba is one of the latest additions to brazils techno ambassadors. having contributed heavily to tronic in 2009 with an ep and his acclaimed rework of jim rivers full tilt track, wehbba is headlining the inaugural tronic treatment compilation to be released in february. wehbbas talent as a dj / producer have taken him on a worldwide journey that has seen his powerful, rhythmical and emotive productions appear on some of the scenes most influential labels including global underground, get physical, great stuff, audio therapy and urbr.
sweet spot sees wehbba push a housier sound from previous work, focusing on swaying beats and a deep-edged ambience. the sweeter mix toughens the groove and takes the track into more late-night territory.
brother keeps the vibe of the ep on a deeper tip to complete this fresh sounding ep. centered on an epic groove of building chords and sweeping vocal refrain the dancefloor punch comes from a heavy pulsing bassline.

although they formed in oakland, ca, in 2002, the saviours are a deliberate throwback to an earlier time and place, specifically great britain in the late 70s and early 80s. deeply inspired by the new wave of british heavy metal as well as first generation thrashers like slayer and early metallica, the saviours formed out of the ashes of a minor east bay thrash and screamo band named after the excellently monikered actor yaphet kotto...

prime numbers are back with e11.... the latest in the pn e.p series. three exclusive tracks by mr scruff & kaidi tatham, motor city drum ensemble and andrés! this time we feature a heavyweight collaboration between mr scruff & kaidi tatham who provide a smouldering jazz-house production with kaidi leading the way on keys and flute on top of a chunky, bottom-heavy groove. motor city drum ensemble drops a killer raw cut. a heavily smashed jackin’ disco workout with all the markings of a fine cajual dub or early striclty rhyhtm. the track oozes soul and is unpretentiously aimed at the dancefloor. once again danilo plessow proves less is more. andrés completes the line up with a cheeky blend of some classic ingredients. sounding like a track from his early releases, “jack city” has all the essential hallmarks of the andrés sound with an excellently simple but purely effective fusion of house and hiphop ethics

our man ryo murakami sends over the next transmission in his exciting and growing catalogue of productions. always inspired by the raw and soulful sound of chicago and new york, this next ep puts forward his vision and continuation of this timeless house feeling. lead track >just for this< is a wonderful celebration of heavy slow motion house. classic house references and even a few classic samples meet in a dirty, deep ride into the tweaked out and extended vibes of the late night people. a journey through the city of house, a perfect refl ection of the times, bringing warmth and light in a once colder world. graeme clark aka the revenge, a fi gure who has enjoyed much success with his deviant disco sound, steps up for remix duties - and a fi ne job he does too! building his mix from the bare bones, adding a little more pace and forward momentum, his version is also tightly bound within the roots of emotional, deep vibes house. this is an outstanding remix - functional, clear and fully devoted to the classic sound. on the b side a mysterious original, >untitled<, sees ryo pushing things a little further still. the energy levels climb higher and higher as this modern hypno-houser phases and pulses upwards over nearly 8 minutes of jacking, sample laden freshness. we love to visit ryos house, where everybodys welcome and theres smiles all round

deep a & biri have been involved in the tel aviv house scene for some time. with this 3 track ep plus digital bonus track they give their debut now.
>twisted tango< is the most stripped down of all three tracks and a real cool groover. one of these tracks that grow enormously with volume and space. these two guys have got a good vision of how dance music should be to clad the clubbers in cotton batting. their cool way of transmitting indifference has always been the carrier of sensuality and sexiness in entertainment and it does create a certain kind of peppermint stench here. the vocals stabs in this one work like dubby elements which deep a & biri drop like things dropping out of your pocket.
>mischievous< is a perfect bassline monster... deep and heavy with a genius >pam pam< vocal stab. we dont know where these samples come from but they are luscious as hell. welcome to the pleasure dome!
>hine gama< is as cool as the two other tracks but but a little more laissez-faire fair. we dont think that anybody will be able to resist this bright light brown colour it shows with all its reflections of intensive sunbeams shining in.
this release fits perfectly to the last release on trapez ltd.

here comes a highgrade split ep. marcus homm and ludwig coenen share the honours on one record, and instead of competing for the glory, both producers compliment each other perfectly. markus homm, the global player, starts off as assured as ever with another great track. golden glow rolls towards a dramatic stage for hysteria. homm takes the listener in with a heavy and richly sweet narrative style. matches brings even more excitement, pushing forward with brilliantly entangled sounds that hit you more in the hips than the stomach, telling a tale of promise in the early morning hours. ludwig coenen, the man from infamous frankfurt, brings dancing into the realms of the zoo! with its not a zoo he manages to combine various sounds into a funky and functional harmony. the 2nd track mind your head breaks the standard mould and uses a broad sound palette to construct a new and unique field of maximum funk.

fergie and excentric kicking off the year with ragaroo, a tense builder, winding things up to an uncontrollable level with a mixture of rising and just plain strange sounds, with the usual high production standards that you expect from a fergie track. on remix duties is jus phil (monu digital), who returns to the excentric after his shuffling and bass heavy remix of fergie - break-out from earlier in the year. his take introduces a low slung yet bouncy groove, hooking listeners in before using the weird craggy effects of the original to really take things to a new level of twistedness

its been a while since i:cube hasnt deliver some fresh cuts! was he lost in a software??? hes back (a new album is also scheduled) to his early naive, deep and twisted spirit, but with a super tight modern production... falling is a sleazy funk track, a slow burner, which contains all the elements who made i:cube one of the most respected and innovative producers around since more than a decade!! heavy groove, hypno bassline, references to the early disco-dub music. un dimanche sans fin (neverending sunday) was done (as its name says) a sunday night, one shot, at the versatile studio. cube reconnects with his seminal dub-techno love, a track full of space and emotion. i would describe operation hypnosis as sheffield house. a solid beat and some bleeps will bring the dancer into a mental spiral...

sister label to markantonios analytic trail imprint, mkt records is all aboutproviding a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge. originally created as a home for markantonios experimental work, mkt has developed into a destination label for all forward-thinking techno acts. unearthing a never-ending conveyer belt of neapolitan techno talent, markantonios mkt records have consistently struck gold with a series of eps from emerging artists such as joseph capriati, mladen tomic and flavio diaz. this time out label boss markantonio takes the controls for an ep of his own.
title track >play the music< kicks off the ep in understated but highly effective style. forged from a brooding low-down bass with plenty of wiggle this track cuts a heavy mechanical groove through waves of sci-fi effects as it builds and drops.
>funky junkie< pumps up the tempo for a full-on ride through funked-uppercussive techno. centered on a groove of big heavy kicks and jacking snaresthis inventive vocal track joins the dots between early chicago house and techno.
>debug< completes the ep by taking a more stripped back approach, laying out a minimized tech house outline around which is added a combination of a bigbouncing bassline and layers of tribal horns, firing percussion and rising sirens.

the very first release on the new cheap sublabel cheaprecord rocks comes from the promisingindie act freud. >sex you again< is already aired on heavy rotation on fm4 radio and reached the #2 position at the austrian indie charts.